CamerasMulti-Camera Operation Masterclass
Dynamic framing, pedestal and jib moves, shot matching and director talkback for news, interviews and live shows.
Live television production hub
taletix brings studio equipment integration, dynamic camera techniques, acoustic optimisation and lighting design together in practical courses for news programmes, interviews and live shows.

CamerasDynamic framing, pedestal and jib moves, shot matching and director talkback for news, interviews and live shows.
LightingThree-point and ambient setups, colour temperature control and flicker-free LED workflows for every set.
Every programme is built around live practice, clear feedback and habits you can take straight back to your own gallery and studio.
Train on a working studio floor with real cameras, mixers and talkback.
Methods that apply whether you run SDI, IP or a hybrid control room.
Groups capped at eight so every learner gets time on every position.
Each course ends with a timed run-through of a full programme.
A signed record of the skills you practised and demonstrated.
Thirty days of email help as you apply the techniques at your own studio.
From first conversation to final run-through, the process is simple, transparent and tailored to your team.
Equipment
Cameras
Acoustics
Lighting
Production
Production
A free one-page readiness checklist covering signal flow, camera positions, lighting and room acoustics.
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Get in touch
Planning a new gallery, a studio refit or a team training week? Send us a note and we'll get back to you as soon as possible.
Phone
+44 161 886 5300Address
The Greenhouse, MediaCityUK, Salford, Greater Manchester, M50 2EQ, United Kingdom

Production insight
Our engineers observe a live run in your own studio and report on cueing, camera coverage, sound balance and fault recovery, then coach your team on the gaps.
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Learners trained to date
2,480
across news, interview and live-show studios in the UK.
Trace, label and test every route from camera head to transmission so faults are found in minutes.
Smooth pedestal, jib and handheld moves that stay matched across shots and operators.
Treat reflections and noise so dialogue sits cleanly in the mix without heavy processing.
Repeatable setups, correct colour temperature and flicker-free output on every camera.
Rundowns, cue sheets and clear roles that keep a live programme moving to time.
Back-up paths and rehearsed fault drills so one failure never takes you off air.